Read e-book online African Filmmaking: North and South of the Sahara PDF

By Roy Armes

ISBN-10: 0748621237

ISBN-13: 9780748621231

ISBN-10: 0748621245

ISBN-13: 9780748621248

ISBN-10: 0748628061

ISBN-13: 9780748628063

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Read or Download African Filmmaking: North and South of the Sahara (Traditions in World Cinema) PDF

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Extra info for African Filmmaking: North and South of the Sahara (Traditions in World Cinema)

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5. Richard W. Hull, Modern Africa: Change and Continuity (Englewood Cliffs, NJ: Prentice-Hall, 1980), p. 243. 6. , p. 189. 7. Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London and New York: Verso, 1991, revised edition), pp. 6–7. 8. , p. 7. 9. Donal B. Cruise O’Brien and Richard Rathbone, ‘Introduction’, in Donal B. Cruise O’Brien, John Dunn and Richard Rathbone (eds), Contemporary West African States (Cambridge: Cambridge University Press, 1989), p.

Simultaneously RTA’s television resources were regrouped to form ENPA and the boundaries which had hitherto clearly separated film and television production became blurred. Between them, in the period 1986–96, CAAIC and ENPA were responsible for twenty-two features (an average of two a year), with Amar Laskri’s Vietnamese co-production, Lotus Flower/Fleur de lotus (1998), which was much delayed in production, emerging several years later. Many of these films were joint productions between the two companies and most were low-budget works – some in 16mm – primarily directed at a television market.

The struggle with the colonialist Other ‘is not just one of the subjects dealt with by cinema. 45 A perfect example of the Egyptian approach to melodrama is Henry Barakat’s The Sin/Al-haram, produced by the General Organisation for Egyptian Cinema in 1965. 46 Adapted from a novel by Youssef Idriss, the film deals with the sufferings of migrant farm workers, whose lives are precarious, since they are hired only by the day at crucial seasons of the year and forced to work far from their homes. Though filmed on location and including many villagers in its cast, the film’s stance is far from that of the Italian neorealists.

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African Filmmaking: North and South of the Sahara (Traditions in World Cinema) by Roy Armes

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